Monday, November 02, 2009

Film camera review - Zorki 4K vs Fed 4


The Zorki 4K


Introduction

The rangefinder was, for good while in my early photographic days a photographic tool that I thought I would never understand. Why on earth would anyone want to use something that does not let you view the image as it is through the lens? Over time, I was convinced that there was something about it, otherwise there wouldn't be so many photographers swearing by it, including some of my favourite ones. So, many years passed until last January/February I decided to buy one. I always thought the prices were prohibitive for both cameras and lenses, making it difficult for an amateur to build a considerable or solid kit. Also, considering a Russian alternative was out of the question, if I was to use a rangefinder I would want a Voigtlander or Leica; that is until I saw some photographers, some Leica photographers including, singing praises for the Russian copies of this reknown camera maker. So my curiosity grew. I searched Ebay and found a very affordable Zorki 4K with a Jupiter-8 lens and it started my foray into the rangefinder photography world. I was hooked. The compactness and silent operation (relatively silent in the case of the Zorki) and the apparent anonymity that the camera brings to picture taking got to me. That was, without of course getting used to some quirks which seem to be inherent to all Russian made cameras, ruining a couple of films in the process. I also acquired from Ebay a turret finder in case I ended up buying more lenses. Anyway, in a bid to get to the review a bit sooner, a couple of months later I decided to retire the camera but not for any particular faults, just because it ended up being autographed by the one and only David Bailey. As such, I ended up buying a Fed 4B which presented a few quirks of its own not too dissimilar from the Zorki.It came with an Industar-61 lens and seemed a bit stiff in operation, which I later resolved with careful application of some WD-40. In fact, having successfully done this, I decided to do this to all my classic cameras, which resulted in improved operation in all of them. I have to add that this may in fact be of greater benefit to Russian made cameras given that the majority of their quirks tend to be mechanical in kind.

The review

A. The Zorki 4K

The Zorki 4K is a Leica copy, just like its counterpart the Fed 4, made by KMZ factory in Krasnogorsk, Russia. It uses the M39 mount, just like the Leica. It does not have a built-in light meter nor strap lugs, so a case is a must, but I personally don't like to have the top cover of the case hanging down when I use it (you can't separate them either unless you cut them). So if you are to buy one of these, make sure that a case and a light meter are on the list. Also, the viewfinder will not give you a totally accurate view of the scene so a finder (or finders) is a must as it will also be parallax corrected. My Zorki 4K came with a Jupiter-8 lens, which had some fungus on the back element, but it does not seem to affect much the image quality, nevertheless I will be getting a clean optic.

Loading your favourite film

I had some trouble loading film in the beggining, in fact I thought my camera was faulty initially, due to my inexperience with it. Without instructions, I was loading the film as I would normally load your usual SLR or modern compact, but the Zorki will soon tell you that you have done something wrong as it either will not cock the shutter or get stuck at some point in the film wind. It is vital when one loads the film, to rotate the knob around the release to the raised position to allow shooting (the other position is for rewinding)and to use three short strokes of the lever (not full strokes) upon loading. It will then operate as normal. You also need to make sure that the three dots on the top plate are aligned. The camera also features a manually resettable frame counter.

Features,Operation& Kit Lens

The shutter mechanism is typical of Russian cameras. The usual quirk of having to wind on the shutter before changing speeds as well as changing them clockwise except for the speeds of 30 and B. Also, one should never turn the shutter speed dial over the interval between 30 and 1 as that will damage the mechanism. The slower speeds are also harder to get to and are on a slightly raised position. After you release the shutter, the dial will land on what at first seems like a random position but usage will show that it is not random, but one wonders why it lands on such positions. Nevertheless, the Jupiter optic, gives great images and the camera is a pleasure to use. The focussing is smooth and the rangefinder patch is big and bright in comparisson to the Fed 4 (which we will be getting to in a bit). The shutter sound is a snappy, blade like sound which I personally found not to be as silent as I thought it would be, but in any case, quieter than an SLR. Overall, I found that the camera is quite inconspicuous, unless I put the turret finder on. Being a fan of street photography, it was a great bonus and in a first rangefinder experience I could see why these cameras have such an appeal among street photographers and seeing the results reinforced the positive experience. There is something quite different in rangefinder images and while it is hard to pinpoint what it is, I personally think that they seem to be more correct in terms of perspective and slightly sharper (I get good sharpness and contrast with a Jupiter lens with fungus in the back element, which says something about it apart from clean the lens or get a new one). The camera has also a PC synch socket for bulb or electronic flash, but I never used this feature, I might at some point, in homage to Bruce Gilden.

B.The Fed 4

The Fed 4 was bought as a replacement for the Zorki 4K as it acquired a certain value and I thought I should take great care with it. It is in many ways similar to the Zorki as such we will keep this section short and highlight the differences. It is an Ukrainian made camera and took it’s name from it’s creator’s initials (Felix Edmundovich Dzerzhinsky). I ordered my Fed from Ebay once again, and it arrived with a brown leather case in very good condition. The all expected quirks were present, except that I found that the slower shutter speeds were even harder to get on to on this camera. The Fed has the advantage of having a fairly accurate built-in meter but it only allows for readings up to ISO400; over this setting you have to use a secondary meter or your own judgement, which is not too difficult since you can use the meter as guidance if you are fairly experienced. The Fed 4 is tall for a rangefinder and has a certain heft to it. It has a collar around the shutter release, which locks and unlocks it.

Loading your favourite film


The bonus that the Fed has over the Zorki in my experience is that to load the film you can take out the take up spool to load it, making it easier to properly load the film, avoiding looseness. The user can adjust the film easily simply by rolling or unrolling the film from the spool. Just make sure that before loading the camera is set to “C” on the collar ring around the shutter release.


Features,Operation& Kit Lens


The Industar-61 lens that came with it was clear but I found that the focussing ring sits too near to the body making it more difficult to focus than with the Jupiter-8. With my Fed 4, both lenses felt somewhat stiffer in focussing, which is something that I attribute to the focussing mechanism in the camera (and this even after applying WD-40). Nevertheless, the sharpness is very good as I came to expect from Russian lenses. There is information on the Internet in regards to the lanthanum component used in this lens (or some copies of it) being radioactive, but apparently its radiation is so low as to be harmless. This component is also said to give the lens its good colour, contrast and sharpness.

As I look through the viewfinder I also feel that the rangefinder patch is too small in comparison to the Zorki and so is the viewfinder, as such it is a camera that certainly benefits from an external finder for this reason.
In operation, the shutter speeds are set in similar fashion as with the Zorki, so cocking the shutter prior to changing speeds is imperative. Unlike the Zorki 4K, the Fed is much quieter and the shutter sounds more like a low muffled clunk. From a certain distance this is also barely noticeable. Nice, but the camera is not as inconspicuous as the Zorki, even more exacerbated if you put the said turret finder on top of it. The usual apparent “Wheel of Fortune” type landing positions of the dial after an exposure also apply.

To rewind the film, the camera uses a thumb wheel to the left side of the body which I find a bit inconvenient in comparison to the Zorki’s rewind knob. Even more so, if like myself, in first usage, do not load the film properly.

In conclusion

Zorki vs Fed

As with everything it comes down to subjectivity, but here is what I find as pro and cons of each:

Compactedness: Zorki wins

Features: Fed wins (built in light-meter)

Operation: Zorki wins (albeit noisier in operation)

Ruggedness: I would give this to the Fed, but the Zorki doesn’t trail by much

Kit lens: Albeit you can find Feds with Jupiter lenses, they are more common with Industars. I would say that in this case for actual final results performance they would be neck and neck but the Industar’s focussing ring sits too close to the body, making it more difficult to focus.

Viewfinder&finders I only brought this up for an issue reported by some, that I have not come across yet, but apparently the height of the Fed can lead to increased parallax error while using a turret finder. Personally I haven’t come across that, but perhaps I am not shooting close enough to subjects to see this. Nevertheless, it’s not a problem reported by that many and in fact it may be due to faulty or bad finders.

Finally...

In short, they are both fun to use cameras, which as always, if you can work around the quirks they produce great results. Even better if you have established brand M39 lenses which you can use on them. For me personally there was a bit of a learning curve when I started using a rangefinder because all I knew before this was to focus through the lens, but the challenges that rangefinder photography put before the SLR photographer are a very educational experience as well as a totally new and exciting one. It also makes one think if you really need to carry all that kit around in your camera bag; in fact, my Zorki with lens and turret finder, fit my jacket and vest pockets very easily. Not only that, in this digital age they can turn into great conversation pieces. More importantly for the budget minded enthusiast photographer, they only cost a fraction of the cost of the established brands and provide quality images. Thoroughly recommended as a system or as a learning tool for the future rangefinder photographer thinking of take the plunge to a more expensive and established brand model.

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With this concludes this review which was fun to write. I may add or edit some more as 95% of this came from the top of my head and even add some images. Hope you enjoyed reading it as much as I did using the cameras and writing it.



Until next time,


Luis

Wednesday, August 12, 2009

Blind Shots - From BELOW the hip!



Hello again, friends and passers by,

It's been a while since my last posting, but I have finally been able to manage to have some time to do some more photography work, including updating this blog and starting to work on my website which has been under construction for a good while.

Having had the day tottally free today, I thought to myself "Why don't you go and enjoy the day doing what you love most", so I packed my newly bough Fed 4 rangefinder which has ISO50 film in it (in fact, this Fed 4 is a stand in for a retired Zorki 4K, that ended up being autographed by the one and only, David Bailey). As I looked outside, I realised the light was not really for slow, ISO50 film so wanting to do some street photography, I packed my lovely Fujifilm S3 pro instead into my bag along with a Sigma 18-125mm, Nikon 50mm and 75-240mm lenses and off I had gone to do some street shooting. I wanted to try something new and hone my skills at taking blind shots - shooting from the hip - but as I found a bit awkward using this camera from the hip, I decided to set the 18-125mm lens to its widest, up the ISO to 1600 and just have it on my hand as if I was casually passing by and aim at subjects I found interesting without disturbing them making them lose all naturality. The camera was pretty much almost at my knee. I haven't dabbled enough in this type of thing, but I got some surprisingly interesting results and I sure will do this more often.

Check out this session here


There's also some new handheld street night photography here , using my Samsung GX-20 for anyone interested to see how it handles in the dark at high sensitivities, or just to appreciate the wonders of the night through the lens. Enjoy!


Until next time,



Luis

Friday, April 03, 2009

It's been a while...

It's been a while since I have posted in my blogs as I have been extremely busy, but I miss it and blogging can be a good way to unwind among other things. I have been shooting occasionally lately as I other commitments took over, but my Flickr page has been more or less updated with a certain frequency (if you can say that...) with some stuff from both the vault and stuff that I have the chance to shoot.
Anyway, being the beggining of April and given the current world financial crisis, it was impossible to ignore the G20 protests, which I had chance to photograph. It was the first time I have found myself in a situation of such tension as a photojournalist and frankly I wish I didn't snap away like a robot as I filled up my cards before the major clashes. I have a handful of photos of the clashes but in a way the photos I have show another side to the protests, a side that shows that for the most part it was a peaceful protest, an intense and tense one, but peaceful. I believe that a small faction decided to wait until the police started to open up the streets to wreak havoc and start a riot. Nevertheless, it was perhaps clearer than ever before the discontent of the masses with the increasing divide between classes, the global economics and climate issues, that the time for change is now.

And now, for some photos (click the set below, more to come):





Until next time,


Luis

Sunday, December 21, 2008

It's here!

Yup, it's here! I just received my prize, a Samsung GX20 DSLR, from Amateur Photographer, which I had won in the On Assignment feature. I had a good play with it and I have to say I am second time awe struck. As such I have decided to post a little review of it right here, so here it is, my initial thoughts on the Samsung GX20. I may add some more bits as I go:

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Introduction

I had used it when I was given the opportunity of participating in AP's On Assignment and had a chance to play a bit with it, but we didn't have time to go in depth into it. I got mine on Thursday and have taken a small number of shots with the kit lens (18-55) which have given me a good feel of what the image quality can really be like and this is pretty much the reason why I decided to do a little user review. I may come back to it to add other findings.

Samsung/Pentax/Samtax

The Samsung GX20 is pretty much a Pentax K20D but according to Samsung the image processing is different and better.
It takes Pentax KAF mount lenses (of which I have near to none at the moment, apart from a Centon 50mm f1.7 which is more of a paperweight and a 70-210 of the same brand and serving the same function) and Samsung has their own version using Schneider-Kreuznach glass. The 18-55 lens is not brilliantly sharp but for non specialist use does it's job. The camera is very very solid indeed and I was already very impressed with it when I first used it but having spent longer time with it and comparing it with my other DSLRs (KM 7D, Fujifilm S3, Sony A700,Sigma SD10) fares very well and I am even tempted to consider it a notch above all in this department. I wish I could compare it with a more current crop of DSLRs myself, but the word out there is that it fares very well again anyway. While I feel the need to add a battery grip to my A700 (except the other ones which have a grip), I do not feel the same about the GX20. It feels well balanced and very comfortable, with the body finish adding to this feel.

Features

This is an area where I was second time awe struck. From the usual picture styles to AF fine tuning it felt as if this was the case that this was someone's first camera, they wouldn't be asking for more. It is a feature rich camera and what particularly excited me was the fact that I could process my RAW files in camera (as I am a RAW shooter in any situation), so I could have a JPEG of only the pictures I would have to either send or share, ready to go. I wished my other cameras had this to save some space in the card.
While this was exciting, this is in my opinion the feature that at the same time hampers the camera's image quality but only slightly and I will expand on this in the Image Quality section.

Performance

Performance is on the whole good, but the AF tends to hunt or hesitate a little in lower light. I do not know if this is because of the cheaper kit lens, it is likely. In daylight I found the AF very good with this lens. Reviewing images can also be slow, but given the size of the images (and the fact that I use a S3pro too which is no speed champ either in this department) I did not find this a turn off, also because you can cancel review at any time by pressing the shutter button to go back to shooting.
If you choose to process your RAW in camera then you will have to wait for this to finish but it doesn't take long. In any case, this is a feature I would leave for when I finish my shooting.

Image Quality

This is an area where this camera unexpectedly excels with its 14.6MP even at higher sensitivities.

Initially I had my reservations when I was looking at the JPEGs from the camera. For some reason, it seems that the camera introduces some chroma noise in the JPEGs when it either shoots them or you process them in camera. While ISOs from 100-400 are very good, you start seeing chroma noise at 800 and increasingly above.

But do not despair. Putting the RAW (DNG) files through ACR really makes them shine. You see a very pleasing, more luminance, film like noise at higher ISOs and the images are also very clean, with good sharpness at these sensitivities, which for a sensor of 14.6MP is not easy (and with the kit lens that it came with). I would not hesitate to pump up the ISO if there's ever the need for it.
In this department I am very satisfied, because for me what really makes or breaks my choices for a camera is what it outputs and this camera does not disappoint even the most demanding photographer.

Conclusion

So this concludes my initial thoughts on the camera. If this is what Pentax and Samsung are playing with now, I personally see no reason for this duo to come out with even more technically impressive stuff and join the big two which are becoming the big three now (with Sony having played out very well and I even see some using Sony now in the midst of the sea of Nikons and Canons out there). Perhaps the challenge is financial (and also the fact that the AF lens collection is a bit limiting on both parts and 3rd party dependency is not bad but not very good either)but that's something for a different discussion.
I believe with a little AF improvement and perhaps adding another 3-4fps to the drive (making it 6fps), this dynamic duo can come up with a true alternative(s) in the market. The image quality is certainly there. Let's see what happens next.

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So yes, I am thoroughly impressed :)

Some samples will be posted on my flickr.com page here .


Until next time,


Luis

Sunday, September 14, 2008

Amateur Photographer Magazine's On Assignment Feature


SG201636_mono2, originally uploaded by Luis Rubim.

Well, this made my week I have to say, seeing not only my photos published in Amateur Photographer Magazine in the "On Assignment" feature, but also win the competition for Picture of the Day. It's always great to get recognition among your peers and AP provided a great day which I thoroughly enjoyed along with the opportunity to enjoy an unusual and fun event, Jousting at Hever Castle, a recreation of medieval jousting by The Knights of Royal England (www.knightsroyal.co.uk) .

You can see some of the shots that are not in the magazine here , but the set does include the winning shot.

Many thanks to AP and especially Garry McNamara and Gemma Padley for their guidance and support.


Until next time,


Luis

Wednesday, August 27, 2008

Nikon launches world first video capable DSLR


Nikon has just launched the world's first video capable DSLR in the form of the Nikon D90. The successor to the already successful Nikon D80 has HD video output, sports Nikon's acclaimed new 12.3MP CMOS sensor and can shoot at 4.5 frames per second. The Dxx series has always been targeted at enthusiasts but the D90 seems to be targetting a slightly wider market, encompassing news reporters as the new features show. In fact it may be the answer to some news reporters prayers (i.e. Dan Chung, award-winning photojournalist with The Guardian has expressed his wish of having video capabilities in his cameras at times), as the demand for photographers to have video skills grow. The camera was launched alongside an 18-105 optic which will be sold with it as a kit for £849.99 or £699 for the camera body only.

On a personal view, I was never a friend of the all in one device, I prefer to have dedicated devices for a given task as they tend to perform better. Having said that, the higher quality of photo lenses coupled with a video capable device may turn things around.
Nevertheless I see the video capability of the D90 as a lesser benefit, a bit of a gimmick, the excitement for me is the inclusion of Nikon's acclaimed 12.3MP CMOS and a very useful 4.5 frames per second capture (for photojournalistic work).

Kudos to Nikon for including these features in an enthusiasts model at this price point.

AP news link


Dpreview.com news link


Until next time,


Luis

Wednesday, August 20, 2008

UCL building Roman Numeral blunder...

Hi all,

It's been a while since I have posted anything here, I have been a busy man, I launched my website (which I am still working on the interface but has somework on display)among other things I had the chance to take part in a user review with What Digital Camera magazine and a "On Assignment" section for Amateur Photographer Magazine.

Anyway, I was out with my camera today and I was feeling a bit uninspired so I passed by the UCL building behind Warren Street and took a shot of the wrong Roman numerals in one of the buildings as I was wondering if anyone else had noticed that (as I work in that area for a while I was always amazed nobody has said or done anything about it) and a bit shocked that an educational institution like UCL could make such a blunder.


(click to enlarge)

Roman numerals have a rule that does not allow the use of the same numeral more than three times. Frankly I don't know what date/year they were trying to inscribe but if it was 1905 the correct form would have been MCMV, if 2005 MMV. In the case that the date they wanted to inscribe is 1905, the C (100) before the M (1000) is used to denote subtraction of 100 from 1000 (making it 900).

Better change that quick as it won't do any favours to UCL to have that there for any longer.



Until next time,


Luis

Thursday, June 05, 2008

Update...

My work is now available via Alamy images. Point your browsers to my website and simply click on the link.

Until next time,


Luis

Wednesday, May 21, 2008

It's Good For You!

...and for me!

And on this note, I also announce that my official website is now open, albeit at its initial stages. Consider it more of an electronic card, but here's the address:

www.luis-rubim-photography.co.uk

Stay tuned!


Until next time,


Luis

Wednesday, April 02, 2008

Yes you can...

Purchase prints from this blog! Some of you have asked me and here's how: Just drop me a line via luis.rubim@gmail.com . You can also browse some more photos here . You can watch a slideshow here but this way you will also be able to see complete sets on one subject including some of my press work . As my sales website is still under reconstruction this will be the only way you can browse and buy some of my work at the moment.

Until next time,


Luis

Monday, March 24, 2008

Old Man Winter is back!


Old Man Winter is back!, originally uploaded by Luis Rubim.

It seems there's no escaping it...Spring is supposed to be here as of thr 20th of March but we keep on being battered by cold,snow,hail and whatever else the sky can throw at us. I gathered my guts to brave some cold today and went out to take some photos, (as I haven't done so in a while) and found out the possible explanation for this Spring delay...Old Man Winter is out and about!

Tuesday, January 15, 2008

Linux and Photography - a rare combo...

After years of using Windows and subsequently being many times on the verge of losing my photos due to viruses, system crashes, overburdening the system with Windows' power hungry resources, I have been contemplating moving to Linux. I have a little experience with Linux, I was impressed, but most of the applications I needed were not (or so I thought) for Linux. But I could live with incompatibilities as long as my photographic collections were safe and intact. Linux based systems have stronger security features and fewer viruses (this may be aided by the fact that there aren't many viruses written for Linux), very rarely crash and when something goes wrong it is more likely than not, that it was due to user error. It also uses way much less memory than Windows for thee same or three other tasks at the same time. The operating system and its applications are open source and free. To the unexperienced user, the notion of free full software may seem dubious and full of compromises, but this is certainly not the case.

So, I decided for a gradual move into Linux and for that, I decided to try Linux with it's own version of Photoshop...GIMP with UFRAW plugin.
I have to say I was pleasantly impressed. GIMP may not be as polished interface wise as Photoshop, but all the tools you need are there, one just needs to get used to the interface while the UFRAW plugin for camera RAW files offers all the control a photographer will ever really need. The only minus is that it seems that it does not perform denoising on the RAWs (perhaps it is a plus as it really shows as your camera performs), I still have the feeling that UFRAW outputs somewhat noisier files. Having said that, I have converted Sigma X3F files with UFRAW with very good results. Here are some examples:


.X3F, UFRAW converted with no exposure correction


.X3F, UFRAW converted with 1.69(approx) exposure correction


Despite the second example showing some noise which resulted from the exposure correction, the results are perfectly usable at full resolution.
For me this is a big thumbs up and a step closer that transition from Windows to Linux ( which will allow me to do more with much less usage of system memory and CPU).



Until next time,


Luis


Wednesday, December 26, 2007

C41 at home with Tetenal.

I was once more impressed with the simplified Tetenal kits. This time the C41 kit (which is the process of standard negative colour film). A hassle free kit,that produces satisfactory to excellent home results. Here's one from a Fujifilm Pro 160S put through Tetenal.



Until next time,



Luis

Sunday, December 23, 2007

Another great addition to the kit...

The Konica Minolta Dimage A1. I have wanted one of these beauties for ages, but since the demise of Konica Minolta the only place to find them is Ebay and even there they are scarce. I was lucky enough to win the auction for what I believe is one of the best if not the best prosumer digital camera ever. I have had it for a while now, but only yesterday I had the chance to really spend some time with it. And as such, here is todays pick:


BUS_Flickr, originally uploaded by Luis Rubim.



Until next time,



Luis


Thursday, December 20, 2007

My sales site...

Just a quick reminder that the sales site is under construction. It is undergoing a major makeover and is going to be easier to navigate and include a bigger selection of work.
I thank you all for your visit and custom and the site should be up and running again soon.

Random from file:

No Photoshop here!
Fujifilm S20 pro, reversed 28mm lens,Centon FG30 flash bounced


Until next time,


Luis

Monday, November 26, 2007

Woody was around...

Spotted this Green Woodpecker flying around Hyde Park. I believe that London is perhaps the only city in Europe with such varied wildlife and where people can experience it so easily up close.

But this fella was difficult to shoot, he liked to keep his distance, as such the pic below is only a resized crop. Taken with my Minolta 7D and Sigma 70-300mm APO DG.


Until next time,


Luis

Saturday, November 24, 2007

The Sony A700: Finally, a real upgrade to the Minolta 7D

I gotta hand it to Sony. As a Konica Minolta 7D owner, the A700 is really good news.
Back is Minolta like design,build and layout, Minolta’s Anti-Shake system reincarnated again as SuperSteadyShot and what seems to be some 12 very clean megapixels (using CMOS rather than CCD as on the 7D). The Sony adds in this package for A-mount users its DRO technology, offering extended dynamic range as in camera option and environmental sealing. Performance has vastly improved, with 5fps in consecutive mode so you don’t miss those crucial moments. In short, the A700 seems like a vastly improved tool over the already excellent Konica Minolta 7D. I had the chance to handle one and see the results and the camera feels quite familiar, apart from the menus, but still no big deal, its something you can get used to very easily.

It finally feels as if Sony can be taken seriously as a camera maker, the A700 means business and it has Minolta DNA all over it.
I think I know where my money is going next.

Random photo from file...





Until next time,


Luis

Thursday, November 01, 2007

Thank you Tetenal!

For an amazing E6 kit! I fsweatted,I stressed, I messed up chemicals, redid them, I messed up temperatures and I changed the times by instinct alone, spilled the final chemistry bit (stabiliser) and yet...I got some awesome results from this kit. Light years ahead of the Jessops muck that ruined so many films (and subsequent hours of work). This chemistry gives some sharp, clean images. A fortune in Tetenal chemistry ensues... :D

Here's one from the aftermath:




Until next time,



Luis